{"created":"2023-06-19T08:49:59.689324+00:00","id":1131,"links":{},"metadata":{"_buckets":{"deposit":"807696a0-8436-4a73-b991-ad876986affd"},"_deposit":{"created_by":15,"id":"1131","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"1131"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00001131","sets":["25"]},"author_link":["241"],"item_7_date_8":{"attribute_name":"報告年度","attribute_value_mlt":[{"subitem_date_issued_datetime":"2017"}]},"item_7_description_11":{"attribute_name":"研究機関","attribute_value_mlt":[{"subitem_description":"静岡文化芸術大学","subitem_description_type":"Other"}]},"item_7_description_13":{"attribute_name":"研究分野","attribute_value_mlt":[{"subitem_description":"民族音楽学","subitem_description_type":"Other"}]},"item_7_description_14":{"attribute_name":"研究概要","attribute_value_mlt":[{"subitem_description":"大正琴は、1912年（大正元年）に、名古屋在住の森田吾郎（1874-1952）により創案、製作された鍵盤付弦楽器である。この楽器は、1915年頃から1940年頃まで、東アジア、南アジア、東南アジアへと広く輸出された。アジアに伝播した大正琴は、その後、それぞれの地域で変容をとげ、各地の音楽の中に取り込まれ、現在まで用いられている。本研究では、戦前の日本から大正琴が輸出された状況、その社会的要因、またその楽器の特徴を明らかに、その楽器のインドネシアへ伝播について概観した。\nA Taisho-goto is a stringed zither, that is plucked using keys, and was invented in Nagoya in 1912 by Morita Goro (1874－1952). The musical instrument quickly gained popularity in Japan and, from approximately 1915 unti 1940, it was exported to East Asia, South Asia and Southeast Asia. Some of the Taisho-goto that arrived in Asia, were remodeled according to local preferences and accepted as local instruments. The purpose of this research is to describe the situation that facilitated the export of Taisho-goto and the social factors this export created, features of the musical instrument that made it suitable for the export and its spread to Indonesia.","subitem_description_type":"Other"}]},"item_7_description_9":{"attribute_name":"研究課題番号","attribute_value_mlt":[{"subitem_description":"15K12823","subitem_description_type":"Other"}]},"item_7_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"科学研究費助成事業データベース"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://kaken.nii.ac.jp/d/p/15K12823.ja.html","subitem_relation_type_select":"URI"}}]},"item_7_text_12":{"attribute_name":"研究種目","attribute_value_mlt":[{"subitem_text_value":"挑戦的萌芽研究"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-11-05"}],"displaytype":"simple","filename":"15K12823seika（梅田先生）.pdf","filesize":[{"value":"79.5 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"研究成果報告書","url":"https://suac.repo.nii.ac.jp/record/1131/files/15K12823seika（梅田先生）.pdf"},"version_id":"b7771896-21e6-4378-be43-700297d03aef"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"インドネシア｜バリ島｜大正琴｜伝播｜受容","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_researcher":{"attribute_name":"研究代表者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"梅田, 英春"},{"creatorName":"UMEDA, Hideharu"}],"nameIdentifiers":[{},{},{},{}]}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"research report","resourceuri":"http://purl.org/coar/resource_type/c_18ws"}]},"item_title":"インドネシアにおける大正琴の伝播と受容に関する民族音楽学的研究","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"インドネシアにおける大正琴の伝播と受容に関する民族音楽学的研究"}]},"item_type_id":"7","owner":"15","path":["25"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-11-05"},"publish_date":"2019-11-05","publish_status":"0","recid":"1131","relation_version_is_last":true,"title":["インドネシアにおける大正琴の伝播と受容に関する民族音楽学的研究"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:40:49.016792+00:00"}