{"created":"2023-06-19T08:50:15.555884+00:00","id":1474,"links":{},"metadata":{"_buckets":{"deposit":"7eab81e0-b9b2-4a1e-b4c1-310bb7afb468"},"_deposit":{"created_by":15,"id":"1474","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"1474"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00001474","sets":["215:171:211"]},"author_link":["107","510","511"],"item_10006_contributor_6":{"attribute_name":"論文指導","attribute_value_mlt":[{"contributorNames":[{"contributorName":"田中, 啓"}],"nameIdentifiers":[{"nameIdentifier":"107","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000080387521","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/1000080387521"},{"nameIdentifier":"1000080387521","nameIdentifierScheme":"NRID","nameIdentifierURI":" "},{"nameIdentifier":"80387521","nameIdentifierScheme":"e-Rad","nameIdentifierURI":"https://kaken.nii.ac.jp/ja/search/?qm=80387521"}]}]},"item_10006_date_11":{"attribute_name":"学位授与年月日","attribute_value_mlt":[{"subitem_date_issued_datetime":"2018-03-31"}]},"item_10006_description_10":{"attribute_name":"学位授与年度","attribute_value_mlt":[{"subitem_description":"2017"}]},"item_10006_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"PDF"}]},"item_10006_description_7":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本研究は、現在、日本の政府や自治体がプロフェッショナル・オーケストラを対象に行っている公的支援制度に対し、新たな公的支援の可能性を提言しようとするものである。\n日本の文化芸術振興基本法では、国民が芸術を鑑賞することを支援すると規定されているが、助成金はオーケストラに支払われている。この助成金を受け取ることが出来るのは、歴史と実績のあるオーケストラに固定化されつつあり、集客が難しい実験的なプログラムに取り組む団体や、若い団体には支援が届きにくい状況にある。また、国民の中には、居住する場所やその他の条件によって、公的支援の恩恵を受けることができない人々もいる。\nそこで、まず、日本のオーケストラの実態と、オーケストラにまつわる公的支援制度の実態を明らかにする。次に、これまでよりも、国民の芸術鑑賞機会が拡がることと、それぞれのオーケストラの芸術創造活動を活発にすることが期待でき、海外では様々な実施事例が見られるバウチャー制度を中心とした、需要者支援制度に着目し、その有効性を明らかにする。その上で、これまでの供給者支援制度の有効性との両立、または一方の課題を他方の有効性が補うハイブリッド型の公的支援制度について提言するものである。"}]},"item_10006_description_8":{"attribute_name":"取得学位","attribute_value_mlt":[{"subitem_description":"修士(文化政策)"}]},"item_10006_description_9":{"attribute_name":"学位授与大学","attribute_value_mlt":[{"subitem_description":"静岡文化芸術大学"}]},"item_10006_full_name_3":{"attribute_name":"Author","attribute_value_mlt":[{"nameIdentifiers":[{}],"names":[{"name":"NAKAHARA, Tomoya"}]}]},"item_10006_textarea_22":{"attribute_name":"Abstract","attribute_value_mlt":[{"subitem_textarea_value":"This study is the suggestions of possibility about the novel governmental support scheme for the orchestras and/or the audiences in Japan. \nIn the Basic Act for the Promotion of Culture and the Arts (Act No.148 of 2001,Japan),it is provided that the government supports the people appreciating the arts, however, actually the government grants for the orchestras not for the people. The government has been fixing the allocation of grants, and only some old orchestras have been able to get grants.On the other hand, it is difficult that the contemporary music groups and young orchestras get grants.In addition; many people cannot receive the benefits of governmental support scheme according to their living areas or some other conditions. \nThis study clarify the actual conditions of Japanese orchestras and the governmental support scheme for the orchestras. And, this study also clarify the effectiveness of the demand-side policy around the voucher policy enforced in many foreign countries. By that policy, we can expect the expanding of people’s opportunity for appreciation and the activation of creation by the orchestras. Moreover, this study suggests the compatibility with previous effectiveness of the supply-side system and the demand-side policy, or the hybrid governmental support scheme that one hand makes up for some problems by the other hand’s effectiveness.\n"}]},"item_10006_version_type_18":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_ab4af688f83e57aa","subitem_version_type":"AM"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"中原, 朋哉"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-09"}],"displaytype":"detail","filename":"修士論文1531007中原朋哉.pdf","filesize":[{"value":"1.9 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"修士論文","url":"https://suac.repo.nii.ac.jp/record/1474/files/修士論文1531007中原朋哉.pdf"},"version_id":"f28fd74d-e021-40df-8935-8c78cf421636"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"バウチャー制度, 供給者支援制度, 需要者支援制度, 消費者, 音楽家","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"thesis","resourceuri":"http://purl.org/coar/resource_type/c_46ec"}]},"item_title":"日本のオーケストラに関する公的支援制度の研究：ハイブリッド型支援制度の可能性","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"日本のオーケストラに関する公的支援制度の研究：ハイブリッド型支援制度の可能性"}]},"item_type_id":"10006","owner":"15","path":["211"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-04-10"},"publish_date":"2018-04-10","publish_status":"0","recid":"1474","relation_version_is_last":true,"title":["日本のオーケストラに関する公的支援制度の研究：ハイブリッド型支援制度の可能性"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:18:13.346984+00:00"}