{"created":"2023-06-19T08:50:18.370749+00:00","id":1540,"links":{},"metadata":{"_buckets":{"deposit":"3ede8b5f-dc03-4b26-b4e5-b95c172729cc"},"_deposit":{"created_by":15,"id":"1540","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"1540"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00001540","sets":["17:218"]},"author_link":["198"],"item_1_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"ツクル カンキャクロン ニ リッキャクシタ ゲキジョウモデル ニ カンスル コウサツ②：アドルフ・アッピア（1862-1928）ノ ロンブン「Monumentality（キネンヒ セイ）」（1922）オ ジレイ ニ"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"76","bibliographicPageStart":"69","bibliographicVolumeNumber":"19","bibliographic_titles":[{"bibliographic_title":"静岡文化芸術大学研究紀要"}]}]},"item_1_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"永井, 聡子"},{"creatorName":"ナガイ, サトコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{},{}]}]},"item_1_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"ナガイ, サトコ"}],"nameIdentifiers":[{},{}]}]},"item_1_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_1_description_11":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"「劇場」は舞台と観客がいかに融合するかによって仕上げられる。「劇場」とはハードウェア（劇場建築・機構・設備）とソフトウェア（運営と作品の核となる人材）の融合から生まれ、劇的世界は「劇場」に対する考え方次第で日常にも非日常にもなる。「劇場」を観客も含めた専門領域として概念を整理しつつ、舞台、観客との関連性を考察する。西洋劇場の近代化の過程で演出論が果たした役割が、劇場改革にどのように関わる必要があるのか。本論では、1922年アドルフ・アッピア（1862－1928）が発表した論文「Monumentality」から、観客を能動的にする空間と、観客を創る劇場観から現代性を読み解くことを目的としている。","subitem_description_type":"Other"}]},"item_1_description_12":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"It is important to consider ‘theatre’ and ‘audience’ in the public theatre as a base for cultural creation. Theatre leads to the work of art producing a dramatic world. As a result, Process of the creation is the most important issue for the theatre construction of the daily and nondaily management. What is the theatre as a professional area ? The aim of this paper is to discuss what a regional theatre should make an active audience by analysing the paper Adolphe Appia：Monumentality（1922） （Revue d’esthetique Oct.-Dec.1953:349-68 Volbach, pp.221-34;Bablet,4,pp.142-56）（Richard C. Beacham,“ADOLPH APPIA Texts on Theatre”,Routledge,1993）","subitem_description_type":"Other"}]},"item_1_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11576760","subitem_source_identifier_type":"NCID"}]},"item_1_text_2":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_text_value":"原著論文"}]},"item_1_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"文化政策学部芸術文化学科"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-03-15"}],"displaytype":"detail","filename":"08【原著論文】永井聡子先生_p069.pdf","filesize":[{"value":"2.3 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"p69-76","url":"https://suac.repo.nii.ac.jp/record/1540/files/08【原著論文】永井聡子先生_p069.pdf"},"version_id":"dae1fdc4-3061-4453-9a68-bf0fbcf58c8a"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"創る観客論に立脚した劇場モデルに関する考察②：アドルフ・アッピア（1862－1928）の論文「Monumentality（記念碑性）」(1922)を事例に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"創る観客論に立脚した劇場モデルに関する考察②：アドルフ・アッピア（1862－1928）の論文「Monumentality（記念碑性）」(1922)を事例に"},{"subitem_title":"A study on the model of the theatre for making an active audience Ⅱ : Analysing “ Adolphe Appia : Monumentality (1922)”","subitem_title_language":"en"}]},"item_type_id":"1","owner":"15","path":["218"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-03-31"},"publish_date":"2019-03-31","publish_status":"0","recid":"1540","relation_version_is_last":true,"title":["創る観客論に立脚した劇場モデルに関する考察②：アドルフ・アッピア（1862－1928）の論文「Monumentality（記念碑性）」(1922)を事例に"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:38:29.234654+00:00"}