{"created":"2023-06-19T08:50:26.764674+00:00","id":1718,"links":{},"metadata":{"_buckets":{"deposit":"52dd8035-4b88-45ce-9725-3c83d2578157"},"_deposit":{"created_by":15,"id":"1718","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"1718"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00001718","sets":["17:231"]},"author_link":["198"],"item_1_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"ゲキジョウ モデル ニ カンスル ケンキュウ 2 - ゲキジョウ ノ キンダイカ カラ ヒキツガレル ニホンガタ ゲキジョウ プロデューサー ノ イギ"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"66","bibliographicPageStart":"59","bibliographicVolumeNumber":"21","bibliographic_titles":[{"bibliographic_title":"静岡文化芸術大学研究紀要"},{"bibliographic_title":"Shizuoka University of Art and Culture Bulletin","bibliographic_titleLang":"en"}]}]},"item_1_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"永井, 聡子"},{"creatorName":"ナガイ, サトコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{},{}]}]},"item_1_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"ナガイ, サトコ"}],"nameIdentifiers":[{},{}]}]},"item_1_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_1_description_11":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"　本論の目的は、国や県などの行政の別を超えた「劇場」のあるべき姿を考察し劇場モデルを抽出することである。地域において劇場を拠\n点とした文化振興が観光に与える影響は大きなものとなることが推測される。劇場は基本的に建築空間のみを意味するものではなく、文化\n力、創造力、プロデュース力による総合力がなければ存在するこができない。日本の劇場の近代化に焦点を当てた論文\"Modernization of\ntheatrical space 1868-1940\" が、Contemporary Theatre Review (2018)にて劇場を再定義したとして評価された。本論では、この論文の下地となった本論著者による『劇場の近代化―帝国劇場・築地小劇場・東京宝塚劇場―』（思文閣出版,2014）の３つの劇場が欧風化の過程で独自の選択をして劇場史のエポックとなったとの主張を踏まえながら、ハードウェアとソフトウェアの境界領域の中心で取り仕切る人材を「劇場プロデューサー」と設定し求められる役割を分析して、この人材と実演家や観客との関係性を総合的に捉える。","subitem_description_type":"Other"}]},"item_1_description_12":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"　This thesis discusses the ideal form of a theatre that transcends distinctions between nation, prefecture and municipal administrations and explicates a model of the theatre based on the power of cultural promotion and its effect on tourism. The theatre is more than an architectural space; it is a cultural force, a creative force and a production force. In total, it is a comprehensive force. In \"Modernization of theatrical space 1868-1940\" as cited in the \"Contemporary Theatre Review (2018), the author discusses the modernization of Japanese theatre and redefines its meaning. This paper discusses the evolution and the adaptations of the Imperial Theatre, Tsukiji Shōgekijō Theatre and the Tokyo Takarazuka Theatre and the roles of the actors, dancers and other artists. The above is examined through a detailed analysis of the meaning and role of the theatre producer.","subitem_description_type":"Other"}]},"item_1_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11576760","subitem_source_identifier_type":"NCID"}]},"item_1_text_10":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Department of Art Management, Faculty of Cultural Policy and Management"}]},"item_1_text_2":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_text_value":"原著論文"}]},"item_1_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"文化政策学部　芸術文化学科"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2021-03-31"}],"displaytype":"detail","filename":"08【原著論文11】永井聡子先生_p059.pdf","filesize":[{"value":"465.7 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"p59-66","url":"https://suac.repo.nii.ac.jp/record/1718/files/08【原著論文11】永井聡子先生_p059.pdf"},"version_id":"c7973c7f-8fb0-469a-a5af-eda6a4eff819"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"劇場モデルに関する研究② ―劇場の近代化から引き継がれる日本型劇場プロデューサーの意義","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"劇場モデルに関する研究② ―劇場の近代化から引き継がれる日本型劇場プロデューサーの意義"},{"subitem_title":"Research on Theatre Models Ⅱ ―Significance of Japanese-style Producers Inherited from Theatre Modernization","subitem_title_language":"en"}]},"item_type_id":"1","owner":"15","path":["231"],"pubdate":{"attribute_name":"公開日","attribute_value":"2021-03-31"},"publish_date":"2021-03-31","publish_status":"0","recid":"1718","relation_version_is_last":true,"title":["劇場モデルに関する研究② ―劇場の近代化から引き継がれる日本型劇場プロデューサーの意義"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:39:48.438216+00:00"}