{"created":"2023-06-19T08:50:29.776264+00:00","id":1793,"links":{},"metadata":{"_buckets":{"deposit":"5b75423c-1767-4753-82de-34d8191bfc04"},"_deposit":{"created_by":15,"id":"1793","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"1793"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00001793","sets":["17:240"]},"author_link":["241"],"item_1_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"キジョ ト ナッタ ヒメ : パリ ノ カゲエ ニンギョウ シバイ ワヤン クリッ ニ オケル マハバラタ エンモク ノ ソウサク ノ ココロミ"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"180","bibliographicPageStart":"173","bibliographicVolumeNumber":"22","bibliographic_titles":[{"bibliographic_title":"静岡文化芸術大学研究紀要"}]}]},"item_1_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"梅田, 英春"},{"creatorName":"ウメダ, ヒデハル","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"ウメダ, ヒデハル"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"UMEDA, Hideharu","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_1_description_11":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"　本稿は、バリ島の影絵人形芝居ワヤン・クリッで上演されるマハバラタ物語の創作演目に焦点を当て、その創作過程におけるさまざまな規則を明らかにした上で、筆者自身がその規範に基づき、マハバラタ演目の創作を試みる。創作演目「鬼女となった姫」は、沖縄の伝統芸能である組踊の有名な演目「執心鐘入」をベースに創作したバリ島のワヤン・クリッの演目である。本稿では、「鬼女になった姫」の概要を紹介した上で、創作規則に基づき、「執心鐘入」がどのようにマハバラタの創作演目である「鬼女となった姫」へと展開したのかを明らかにしたい。","subitem_description_type":"Other"}]},"item_1_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11576760 ","subitem_source_identifier_type":"NCID"}]},"item_1_text_2":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_text_value":"作品報告"}]},"item_1_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"文化政策学部　芸術文化学科"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-03-27"}],"displaytype":"detail","filename":"18【作品報告01】梅田英春教授_P173-180.pdf","filesize":[{"value":"1.5 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"P173-180","url":"https://suac.repo.nii.ac.jp/record/1793/files/18【作品報告01】梅田英春教授_P173-180.pdf"},"version_id":"b9279578-34c4-4061-81b7-a8efc80902e5"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"鬼女となった姫――バリの影絵人形芝居ワヤン・クリッにおけるマハバラタ演目の創作の試み","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"鬼女となった姫――バリの影絵人形芝居ワヤン・クリッにおけるマハバラタ演目の創作の試み"},{"subitem_title":"The Princess Transformed into a Demoness: A New Story Created for a Mahabharata Performance in the Balinese Shadow Theatre, Wayang Kulit","subitem_title_language":"en"}]},"item_type_id":"1","owner":"15","path":["240"],"pubdate":{"attribute_name":"公開日","attribute_value":"2022-03-27"},"publish_date":"2022-03-27","publish_status":"0","recid":"1793","relation_version_is_last":true,"title":["鬼女となった姫――バリの影絵人形芝居ワヤン・クリッにおけるマハバラタ演目の創作の試み"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:07:20.250184+00:00"}