{"created":"2023-06-19T08:49:05.187776+00:00","id":42,"links":{},"metadata":{"_buckets":{"deposit":"582331e5-3ded-4e3d-bfc8-785e5b74a6d0"},"_deposit":{"created_by":15,"id":"42","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"42"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00000042","sets":["17:48"]},"author_link":["6"],"item_1_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"アルジェリア フランス  アルジェ ノ オンナタチ オ メグル カイガ ト ブンガク ノ タイワ (1)"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2010-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"10","bibliographicPageStart":"1","bibliographicVolumeNumber":"11","bibliographic_titles":[{"bibliographic_title":"静岡文化芸術大学研究紀要"},{"bibliographic_title":"Shizuoka University of Art and Culture bulletin","bibliographic_titleLang":"en"}]}]},"item_1_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"石川, 清子"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"イシカワ, キヨコ"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"ISHIKAWA, Kiyoko","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_1_description_11":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"ウジェーヌ・ドラクロワ『アルジェの女たち』(1834)は、オリエントのハーレムの女性を画材にしたオダリスク絵画の代表的名画であり、以降のオリエンタリズム絵画、裸婦像に多大な影響を及ぼした。しかし、1830年のフランスのアルジェ占領があってこそ、画家はハーレム内部に入ることができ、ゆえにこの絵を描くことができた。フランスのアルジェリアに対する植民地支配の産物とも言える。また名画として鑑賞されてきたこの絵を、アルジェリア自身のフランス語表現女性作家はどのような視点で見て、どのように自己の作品に反映させ、自らのアイデンティティを構築していくか。アシア・ジェバール、レイラ・セバール、二人の作家の作品を具体的に検証していく。この論考はその前半部で、ジェバール『アルジェの女たち』(1980)の後記と表題作中編を扱う。","subitem_description_type":"Other"}]},"item_1_description_12":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Eugène Delacroix's Women of Algiers in their Apartment (1834), one of the masterpieces of \"Odalisque paintings\" representing female slaves or concubines in a harem, has a great influential power on posterior paintings such as of Renoir, Matisse, and Picasso. From historical and political viewpoints, it is the French conquest of Algeria in 1830 that enabled Delacroix to intrude into a harem to watch and sketch these women. In the postscript of the collection of short stories daringly entitled Women of Algiers in their Apartment (1980), Assia Djebar, female Algerian francophone writer, calls this painter's Orientalist gaze a \"stolen look\" (regard volé). Trying to seize the eyes and the whispering conversation of these silent women in the painting, adapting a male colonizer's masterpiece for her work written in French, Djebar declares her own position as a female novelist born in a colonized country. Djebar represents Algerian women living in these postcolonial days.","subitem_description_type":"Other"}]},"item_1_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11576760","subitem_source_identifier_type":"NCID"}]},"item_1_text_10":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Department of International Culture, Faculty of Cultural Policy and Management"}]},"item_1_text_19":{"attribute_name":"NII論文ID(NAID)","attribute_value_mlt":[{"subitem_text_value":"110008146675"}]},"item_1_text_2":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_text_value":"原著論文"}]},"item_1_text_3":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Original Article"}]},"item_1_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"文化政策学部国際文化学科"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-07-31"}],"displaytype":"detail","filename":"p010-010.pdf","filesize":[{"value":"607.7 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"p010-010","url":"https://suac.repo.nii.ac.jp/record/42/files/p010-010.pdf"},"version_id":"09bb11c2-210a-4166-bf75-e948a68f69db"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"アルジェリア/フランス :『アルジェの女たち』をめぐる絵画と文学の対話(1)","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"アルジェリア/フランス :『アルジェの女たち』をめぐる絵画と文学の対話(1)"},{"subitem_title":"Algeria/France : Dialogues between painting and literature on Eugène Delacroix's Women of Algiers in Their Apartment (1)","subitem_title_language":"en"}]},"item_type_id":"1","owner":"15","path":["48"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-03-26"},"publish_date":"2013-03-26","publish_status":"0","recid":"42","relation_version_is_last":true,"title":["アルジェリア/フランス :『アルジェの女たち』をめぐる絵画と文学の対話(1)"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:34:14.867462+00:00"}