{"created":"2023-06-19T08:49:29.397187+00:00","id":528,"links":{},"metadata":{"_buckets":{"deposit":"e69ef70c-61d5-415b-8959-41e5355bb281"},"_deposit":{"created_by":15,"id":"528","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"528"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00000528","sets":["17:40"]},"author_link":["103"],"item_1_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"トクメイセイ ノ ビジュツ サクヒン : パブリック アート ト トシ フランス ノ ジレイ オ チュウシン ト シテ"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2002-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"117","bibliographicPageStart":"111","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"静岡文化芸術大学研究紀要"},{"bibliographic_title":"Shizuoka University of Art and Culture bulletin","bibliographic_titleLang":"en"}]}]},"item_1_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"谷川, 真美"},{"creatorName":"タニガワ, マミ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{},{}]}]},"item_1_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"タニガワ, マミ"}],"nameIdentifiers":[{},{}]}]},"item_1_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Tanigawa, Mami","creatorNameLang":"en"}],"nameIdentifiers":[{},{}]}]},"item_1_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_1_description_11":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"　パプリック・アートと呼ばれている美術作品は、多様な展開を見せている。これらは、社会的実践にかかわるため、美術作品としては境界的な領域に置かれ、議論の対象とされることが少なかった。しかし近年、美術作品が、美術館以外の展示スペースで提示されることも増え、パブリック・アートの本質を考える時期がきている。\n　本論では、一般にパブリック・アートと呼ばれる美術作品についての概念とこれまでの展開を、フランスの作品を中心としてみた上で、現在、その概念がどのような点において変化しているかについて考察し、またその展望を探る。パブリック・アートはいわゆる記念碑的な役割から、現在、作家、鑑賞者を含めた社会と個人をつなぐための装置として機能するものへと変化している。このことは、美術史における作品と鑑賞者との乖離の問題にも関連し、その意味で、パブリック・アートについての考察の重要性を示唆している。","subitem_description_type":"Other"}]},"item_1_description_12":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":" The air of the essay is to place contemporary practices of art for urban publis spaces, which is generally called public art, in its history of changing forms or the way of thinking about public places. From its monumental significance and its conflict with teh artistic autonomy, to its new role of promoting viewers' making \"places\" for public spaces as well as artists, public art has benn taking an important part in our pursuit of the esential meaning of life. Also it contributes to reconstruct of our everyday life and re-discover the joy our burban living.  ","subitem_description_type":"Other"}]},"item_1_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11576760","subitem_source_identifier_type":"NCID"}]},"item_1_text_10":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Faculty of Cultural Policy and Management Department of Art Management Shizuoka University of Art and Culture"}]},"item_1_text_19":{"attribute_name":"NII論文ID(NAID)","attribute_value_mlt":[{"subitem_text_value":"110000975618"}]},"item_1_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"静岡文化芸術大学文化政策学部芸術文化学科"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-07-19"}],"displaytype":"detail","filename":"P111-P117.pdf","filesize":[{"value":"182.7 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"P111-P117","url":"https://suac.repo.nii.ac.jp/record/528/files/P111-P117.pdf"},"version_id":"55ebd3c0-1e2f-4a43-b36c-b99381aff2b5"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"匿名性の美術作品 : パブリック・アートと都市フランスの事例を中心として","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"匿名性の美術作品 : パブリック・アートと都市フランスの事例を中心として"},{"subitem_title":"Artworks as Anonyms : Contemporary public art in France","subitem_title_language":"en"}]},"item_type_id":"1","owner":"15","path":["40"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-07-19"},"publish_date":"2013-07-19","publish_status":"0","recid":"528","relation_version_is_last":true,"title":["匿名性の美術作品 : パブリック・アートと都市フランスの事例を中心として"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:28:01.245352+00:00"}