{"created":"2023-06-19T08:49:32.103477+00:00","id":581,"links":{},"metadata":{"_buckets":{"deposit":"14b0943d-cbdb-4f5d-aded-59a5ce519987"},"_deposit":{"created_by":15,"id":"581","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"581"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00000581","sets":["17:37"]},"author_link":["6"],"item_1_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"アラゴン オ ヨム ベンヤミン : パリ ノ ノウフ カラ パサージュロン ヘ"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2005-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"20","bibliographicPageStart":"13","bibliographicVolumeNumber":"5","bibliographic_titles":[{"bibliographic_title":"静岡文化芸術大学研究紀要"},{"bibliographic_title":"Shizuoka University of Art and Culture bulletin","bibliographic_titleLang":"en"}]}]},"item_1_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"石川, 清子"},{"creatorName":"イシカワ, キヨコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"イシカワ, キヨコ"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"ISHIKAWA, Kiyoko","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_1_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_1_description_11":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"十九世紀における「現代性」の総合的な解釈を目指したヴァルター・ベンヤミンの未完の大著『パサージュ論』は、自身の証言によればルイ・アラゴンのシュルレアリスト時代の散文作品『パリの農夫』(1926)に多くを負っている。両者には、パサージュと呼ばれるパリの典型的な十九世紀の建築物、屋根付きアーケードを取り扱っている共通点はあるが、後者が前者に及ぼした影響については未だ検討され尽くしたとは言いがたい。ベンヤミンとアラゴンは都市の細部を読み解く同じ感受性を共有している。本稿では、ベンヤミン思想の基本概念となる「ファンタスマゴリー」、「敷居の魔力」、パサージュのもつ過渡的、両義的な性質などが『パリの農夫』でいかに作品化されているかを検討し、『パサージュ論』との強い類縁性を確認する。","subitem_description_type":"Other"}]},"item_1_description_12":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Walter Benjamin's unfinished lifework, Das Passagen-Werk (The Arcades Project), is a reflection on the concept of modernity in 19th century Europe and its various interpretations. According to Benjamin himself, who discovered surrealism in 1926-27, the reading of Louis Aragon's book Le Paysan de Paris (1926) gave birth to his magnum opus. Both of these works deal with \"passages,\" typical Parisian constructions mostly built in the first half of the 19th century, and both authors share the same delicate sensibility for deciphering the insignificant parts of cities. At present, however, it's difficult to affirm a direct relationship between the two books without fuller study. This paper aims to analyze how some of Benjamin's essential ideas, such as \"fantasmagoria,\" \"threshold magic,\" and the transitional and equivocal nature of the \"passages\" are embodied in the second chapter of Aragon's book, \"Le Passage de l'Opera,\" which dealt with an existing old-fashioned arcade that was soon to be demolished. It also aims to confirm a close affinity between these two authors, for whom Parisian arcades became a method of quest for the past, the self, and the marvelous.","subitem_description_type":"Other"}]},"item_1_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11576760","subitem_source_identifier_type":"NCID"}]},"item_1_text_10":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Department of International Culture Faculty of Cultural Policy and Management"}]},"item_1_text_19":{"attribute_name":"NII論文ID(NAID)","attribute_value_mlt":[{"subitem_text_value":"110004627624"}]},"item_1_text_2":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_text_value":"原著論文"}]},"item_1_text_3":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Original Article"}]},"item_1_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"文化政策学部国際文化学科"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-07-24"}],"displaytype":"detail","filename":"P013-P020.pdf","filesize":[{"value":"340.2 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"P013-P020","url":"https://suac.repo.nii.ac.jp/record/581/files/P013-P020.pdf"},"version_id":"4412f696-c4f4-40b8-a9fd-21b0a5d080a7"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"アラゴンを読むベンヤミン : 『パリの農夫』から『パサージュ論』へ","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"アラゴンを読むベンヤミン : 『パリの農夫』から『パサージュ論』へ"},{"subitem_title":"From Le Paysan de Paris to Das Passagen-Werk : Walter Benjamin's reading of \"le Passage de l'Opera\" of Louis Aragon","subitem_title_language":"en"}]},"item_type_id":"1","owner":"15","path":["37"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-07-24"},"publish_date":"2013-07-24","publish_status":"0","recid":"581","relation_version_is_last":true,"title":["アラゴンを読むベンヤミン : 『パリの農夫』から『パサージュ論』へ"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:30:04.193517+00:00"}