{"created":"2023-06-19T08:49:32.834677+00:00","id":596,"links":{},"metadata":{"_buckets":{"deposit":"fb0ab128-abb8-4007-a98b-46b8a56726f1"},"_deposit":{"created_by":15,"id":"596","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"596"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00000596","sets":["17:37"]},"author_link":["39"],"item_1_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"ショパン ノ ピアノ キョウソウキョク ノ シツナイガクバン : ヨミガエル 19セイキ ノ エンソウ シュウカン"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2005-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"152","bibliographicPageStart":"143","bibliographicVolumeNumber":"5","bibliographic_titles":[{"bibliographic_title":"静岡文化芸術大学研究紀要"},{"bibliographic_title":"Shizuoka University of Art and Culture bulletin","bibliographic_titleLang":"en"}]}]},"item_1_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"小岩, 信治"},{"creatorName":"コイワ, シンジ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{},{}]}]},"item_1_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"コイワ, シンジ"}],"nameIdentifiers":[{},{}]}]},"item_1_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Koiwa, Shinji","creatorNameLang":"en"}],"nameIdentifiers":[{},{}]}]},"item_1_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_1_description_11":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"ショパンがピアノ協奏曲を書いた十九世紀序盤に、このジャンルの音楽は今日とは異なるやりかたで出版されていた。フル・オーケストラで演奏するための、全パート譜の揃ったセットのほか、弦楽器とピアノの声部だけの「部分販売」セットがしばしば販売されていた。こうして当時のピアノ協奏曲は、出版されると同時に、ピアノ付き室内楽、つまり管打楽器なしで演奏できる音楽になっていた。それはこのジャンルが、家庭やサロンで、より気楽に楽しめる音楽として存在し得たことを意味している。","subitem_description_type":"Other"}]},"item_1_description_12":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Around 1830, at the time of the composition of Chopin's famous piano concertos, there was a unique practice of publishing music for sale. Not only whole parts set for a full orchestra, but also smaller parts set for a piano sextet or quintet without winds, could be purchased. It was therefore possible, if there were a pianist and some string players, to play piano concertos at salons or private rooms, probably in a relaxed atmosphere. For concertgoers of today, it is a little bit difficult to imagine a piano concerto performance in such a manner. Today piano concertos are performed at big concert halls for a silent audience that understands it as an art form. In Chopin's time a concerto performance was not so \"serious.\" For example, the audience was talking and applauded after a favorite phrase, even if the soloist was playing the piano concerto at an orchestral concert hall. The performance was understood as entertainment. The edition of Chopin's piano concertos for a piano sextet, based on their first editions of the 1830's, will enable musicians to perform these concertos with a small ensemble in an intimate circumstance, which is essential for understanding them and the genre of that time.","subitem_description_type":"Other"}]},"item_1_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11576760","subitem_source_identifier_type":"NCID"}]},"item_1_text_10":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Department of Art Management Faculty of Cultural Policy and Management"}]},"item_1_text_19":{"attribute_name":"NII論文ID(NAID)","attribute_value_mlt":[{"subitem_text_value":"110004627639"}]},"item_1_text_2":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_text_value":"報告"}]},"item_1_text_3":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Report"}]},"item_1_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"文化政策学部芸術文化学科"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-07-26"}],"displaytype":"detail","filename":"P143-P152.pdf","filesize":[{"value":"262.3 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"P143-P152","url":"https://suac.repo.nii.ac.jp/record/596/files/P143-P152.pdf"},"version_id":"f72c214b-b15c-48ce-b252-600315961be2"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ショパンのピアノ協奏曲の「室内楽版」 : よみがえる一九世紀の演奏習慣","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ショパンのピアノ協奏曲の「室内楽版」 : よみがえる一九世紀の演奏習慣"},{"subitem_title":"Chopin's piano concerto with a piano sextet: A recovered performing practice","subitem_title_language":"en"}]},"item_type_id":"1","owner":"15","path":["37"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-07-26"},"publish_date":"2013-07-26","publish_status":"0","recid":"596","relation_version_is_last":true,"title":["ショパンのピアノ協奏曲の「室内楽版」 : よみがえる一九世紀の演奏習慣"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:29:40.951832+00:00"}