{"created":"2023-06-19T08:49:49.503910+00:00","id":935,"links":{},"metadata":{"_buckets":{"deposit":"604486e1-cf2b-4f16-b5b4-24a0c6b65f7b"},"_deposit":{"created_by":15,"id":"935","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"935"},"status":"published"},"_oai":{"id":"oai:suac.repo.nii.ac.jp:00000935","sets":["215:171:172"]},"author_link":["103","271","272"],"item_10006_contributor_6":{"attribute_name":"論文指導","attribute_value_mlt":[{"contributorNames":[{"contributorName":"谷川, 真美"}],"nameIdentifiers":[{"nameIdentifier":"103","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000006048254","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000006048254"}]}]},"item_10006_date_11":{"attribute_name":"学位授与年月日","attribute_value_mlt":[{"subitem_date_issued_datetime":"2013-03-31"}]},"item_10006_description_10":{"attribute_name":"学位授与年度","attribute_value_mlt":[{"subitem_description":"2012"}]},"item_10006_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"PDF"}]},"item_10006_description_7":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本論は、1960年代初期の日本における「反芸術」的動向において活動した美術グループ「ハイレッド・センター」の人的交流について考察し、グループを取り巻く人的交流が彼らの芸術上のアイデアを実践する上で、どのように働いていたかを明らかにすること、およびハイレッド・センターの集団性の普遍化への検討を行うことを目的としたものである。\n本論では、ハイレッド・センターの芸術行為に直接的に関与した第三者を時系列に沿って整理した後、ハワード・S・ベッカーの「アートワールド」の議論を用いて、ハイレッド・センターの人的交流の役割を分析した。\nその結果、グループを取り巻く人的交流の側面から見たハイレッド・センターは、①批評家、知識人から、グループの方向性に対するバックアップを受けていた時期　②「草月アートセンター」に関与する、高い芸術のリテラシーをもった鑑賞者を動員することで芸術行為を成立させていた時期　③「内科画廊」を拠点として、ハイレッド・センターの芸術の「規則」を共有した者たちを動員して芸術行為を実践した時期 という三つの時期に分類できるという結論を得た。\nまた、最後にハイレッド・センターと、現代的なソフトウェア開発手法である『バザール方式』が、プロジェクトへの参加にあたって「共通の理解」が求められること、上意下達ではない行動原理を有しているという点で共通していることを指摘することで、集団としてのハイレッド・センターを普遍化するための道筋を示した。"}]},"item_10006_description_8":{"attribute_name":"取得学位","attribute_value_mlt":[{"subitem_description":"修士(文化政策)"}]},"item_10006_description_9":{"attribute_name":"学位授与大学","attribute_value_mlt":[{"subitem_description":"静岡文化芸術大学"}]},"item_10006_full_name_3":{"attribute_name":"Author","attribute_value_mlt":[{"nameIdentifiers":[{}],"names":[{"name":"MURATA, Wataru"}]}]},"item_10006_textarea_22":{"attribute_name":"Abstract","attribute_value_mlt":[{"subitem_textarea_value":"This thesis is focusing on and examining the interpersonal group dynamics of the Hi-Red Center, an art group that was part of the Anti-Art Movement that took place in Japan in the early 1960s and makes it clear how they affected the ideas expressed in the art that it produced. And we also examine how the group dynamics of the Hi-Red Center became universalized. \nIn this thesis, we examined third-party individuals who directly participated in the Hi-Red Center's performance art, grasping them chronologically. We also apply Howard S.Becker's\"Art Worlds\"model, which analyzes the interpersonal group dynamics of the Hi-Red Center. \nBased on this research, we separated the interpersonal group dynamics of the Hi-Red Center into three distinct periods below;\n 1. The period when the Hi-Red Center relied on art critics and intellectuals to support the direction they were taking.\n 2. The period when the group worked with the \"Sogetsu Art Center\", and mobilized audiences of the Arts, in order to realize their performance art.\n 3. The period when the group mobilized like-minded individuals from the \"Naiqua Gallery\", a center for the avant-garde art, in order to carry out their performance art pieces. \nWe also compare the collectivity of the Hi-Red Center with the \"the Bazaar model\" of modern software development. We found that the two shared many commonalities; in particular, they both rejected top down models of organization as a guiding principle. From the above results, we proved that was effective interpersonal group dynamics of Hi Red Center In practice the act of their art."}]},"item_10006_version_type_18":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_ab4af688f83e57aa","subitem_version_type":"AM"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"村田, 亘"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2014-02-21"}],"displaytype":"detail","filename":"thesis.pdf","filesize":[{"value":"1.2 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"修士論文","url":"https://suac.repo.nii.ac.jp/record/935/files/thesis.pdf"},"version_id":"c9a30ee1-bab1-4a01-bd30-5d18cfa4030f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"反芸術","subitem_subject_scheme":"Other"},{"subitem_subject":"ハイレッド・センター","subitem_subject_scheme":"Other"},{"subitem_subject":"人的交流","subitem_subject_scheme":"Other"},{"subitem_subject":"アートワールド","subitem_subject_scheme":"Other"},{"subitem_subject":"バザール方式","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"thesis","resourceuri":"http://purl.org/coar/resource_type/c_46ec"}]},"item_title":"芸術行為における可変的集団性 : ハイレッド・センターの人的交流を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"芸術行為における可変的集団性 : ハイレッド・センターの人的交流を中心に"},{"subitem_title":"Variable Collectivity of Performance Art : Interpersonal group dynamics of \"Hi-Red Center\"","subitem_title_language":"en"}]},"item_type_id":"10006","owner":"15","path":["172"],"pubdate":{"attribute_name":"公開日","attribute_value":"2014-02-21"},"publish_date":"2014-02-21","publish_status":"0","recid":"935","relation_version_is_last":true,"title":["芸術行為における可変的集団性 : ハイレッド・センターの人的交流を中心に"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T09:17:30.048307+00:00"}